Pulled Apart By Horses & The Computers @ Electric Ballroom
23rd Februray 2012
Mr Flowers has fallen sadly behind the times over recent months, as evidenced by his album backlog stretching back to the summer of 2011. But thankfully his desire for live bands hasn’t faltered. So as we settle doan at The Worlds End for the Camden pre-pint ritual, it’s no shock to learn Flowers has no idea who is supporting. “The Computers! Wow! I didn’t know that! that’s awesome!!“, cue reminiscence on how we sadly missed them at Camden Crawl 2011 and how he still hasn’t heard their debut LP (no surprises there then). No time to waste then as we struck out, eager not to miss out, which turned out slightly enthusiastic given the first support slot went unfilled. All of a sudden the PA system flicked, circa 1955, retro rock and roll blaring…this signaled the imminent arrival of The Computers.
Band uniform’s are an overlooked weapon in the style arsenal as coolness tends to trump novelty. The Computers, fully clad in white shirts and trousers looking a bit like fellow garage rockers The Hives, embrace it. It’s rare to witness something genuinely unique and I am stumped to think of another band who have taken vintage rock n’ roll and blues and channeled it through hardcore punk to create the “Hardcore Blues”.
Niche? yes. Good? absu-bloody-lutely! High octane throaty yelps, mixed up over clean backing vocals with riotous guitars thrashing out blues by-numbers melodies make a contagious combination. They play with force and confidence, bounding about stage barely confined by the lengths their instrument cables will take them. Lead vocalist especially has itchy feet as he played from atop of the speakers, on the barrier stage front and more impressively from 50ft back in the crowd. With the cables strung high by some thankfully tall fans acting as makeshift pylons the crowd closed a tight circle around him buzzing in the energy on display. The crowd themselves had seemingly endless energy tonight which made for a corking show. you know when a 20ft circle pit opens up for the support band, you know it’s gonna be one of those nights that you feel lucky to escaped bruising.
Their short sharp 3 minute blasts of inferno blues guitar and rootin’ tootin’ honky tonk piano punk were just stunning, their best being the thrusting “Music Is Dead” and soundtrack to a bar room brawl “Rhythm Revue“. Look out for these boys, they play hard, fast and take no prisoners…just how we like it!
After such a grand opening, it was a tough task to trump. Yet Pulled Apart By Horses went about the task, bit between snarling teeth, as they cranked up the ante one more notch. The crowd again didn’t waste any time in forming smash pits even bigger than before, causing carnage and chaos throughout the entire set. PABH’s alt-metal thunder was epic tonight; their hulking great guitar riffs and giant pounding drums were each on top form.
They plucked plenty of material from their newly release album Tough Love which despite its recent addition to their catalogue sparked furious sing-a-long and energetic reactions from where I was standing. Although it was slightly slower in tempo, their melodies were much wider in scope giving their tunes an added depth. Especially as the big wind-up release guitar rockets are still abundant, yet lie deeper into their songs. Lead single “V.E.N.O.M.” the pick of the newbie’s, unleashed frenzied vocals and an unstoppable melee of fret runs, crescendo’s and breakdowns.
Pulled Apart By Horses
Of course the first album favourites succeeded in unleashing the greatest crowd lunacy, resulting in a twisted sea of bodies enveloping over half of the venue. Set closer “High Five Swan Dive Nose Dive” started a chaotic riot, “The Crapsons” sparked grown men to sing at one another and “I Punched A Lion In The Throat” with its Zepp’ riffs and calls of “Ultimate Power” is befitting for one of the best and most powerful live bands around. Their confidence has been buoyed since the last time we witnessed them, if they have been getting this kind of reception up and down the country the it’s easy to see why.
The guys even had time to throw in a Nirvana cover at the death, “Tourettes” which suited their dirty fuzzed guitars and ear pummeling ethos. Tonight was the best show I’ve been at for quite some time. Madness reigned, but ultimately that’s what made it so addictive!